Boudoir Noir — the morning after the premiere
Updated: Aug 31
Chilini Private
There is a morning that does not begin the day so much as close the night. The hall is empty. The applause has died away, and in the quiet it becomes clear that the success was not imagined. The niche fragrance Boudoir Noir by Edgardio Chilini is made for that hour. The dedication is to Vivien Leigh, an actress for whom such a morning was not rare.
The morning after the premiere.
One knows, or does not, the anticipation of success — when blood that had been quiet suddenly runs faster. Yesterday that feeling still waited for the hall. Now it is in the body, and it needs no proof. In the room lies what the night did not have time to put away: wine with berries and spice, flowers from admirers, rumpled silk. The light through the curtains is milky and unhurried. She knows with whom she was happy a few hours ago. That is enough, and there is no one who requires an account.
The flowers are gratitude and delight. Honey remains as the aftertaste of a victory. The group is oriental, warm, with wood and spice. When you go on, the echo of applause goes with you. The morning has passed, and the feeling of the hall still holds.
It contains the anticipation of success and the morning after the premiere. The accents are blackcurrant, rose and patchouli. Boudoir Noir is a selective perfume for that hour.
What sets it apart
The morning after the premiere and the anticipation of success that still holds. The accents are blackcurrant, rose and patchouli.
Notes
Top: blackcurrant, raspberry, ginger, cardamom.
Heart: rose, Bulgarian rose, galbanum, hyacinth, tuberose, orris root, honey, jasmine, ylang-ylang, chamomile, lily of the valley, narcissus, violet leaf, lily.
Base: vetiver, patchouli, cedar, sandalwood, civet, amber, musk, oakmoss.
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